top of page

Rakugo stories - one show or many...

Dec 28, 2017
2 min read

If there was one thing I really debated and laboured over before presenting Rakugo for 3 weeks in London

and 3 weeks in New York - which stories to tell.


There are two main choices here.


One is to consider Rakugo a set show, like any other musical, play, or comedy show in the West End or off-Broadway. That is, do the same show every night. There are several reasons to do this. If I set 90 minutes - two sets of 45 minutes each, and perform this every night, I could c

hoose the best of my material developed over the last ten years, when reviewers came I could be sure I had my Rakugo A-game going, and then when I came back a year later I could be doing a completely new show.


The other choice was to do different stories according to the day. This is more in the Japanese style of Rakugo where you can go see the same storyteller multiple times and they will be doing different stories each time.


I finally decided on the latter for a number of reasons. One, this way people could come back to hear different stories. Two, as mentioned above, this way is more in the spirit of Rakugo in Japan. Three, I don't think it's necessarily wise to be setting up any show with the aim of pleasing reviewers - I could do it that way and still get a bad review from the New York Times - who knows! The audience is most important. As in the Japanese saying, お客様は神様, the audience is God.


But one more reason presented itself. There is no other performer or show in the West End or off-Broadway where the show is different according to the day - this was another opportunity to be unique, while staying very close to tradition.


I am happy I made this decision. The number of repeaters exceeded my expectations, with quite a few people even coming three times. The record was set by one lady in New York, a true Rakugo fan in a Rakugo-starved city, who came to see me ei


ght times. (I confess that I didn't have eight different shows, so she was seeing some stories for the second time!)


In the end we were fortunate to get four professional reviews in New York, all of the reviewers saw different shows and all were positive - a good sign for the future. But more importantly, they all mentioned the fact that there were different stories on different days.


I'm glad I did it that way - it's a lot more fun for me as well!





292 Comments


wen yong
4 days ago

This article’s breakdown of Level 5’s layout helped me finally spot the hidden door—I’d missed it three times before. For anyone else stuck on the fluorescent halls or entity timing, escape the backrooms has clear maps and step-by-step audio cues that made all the difference.

Like

wen yong
6 days ago

The level guides here are super helpful for visualizing bus routes—especially when lanes are blocked or passengers pile up. For quick video solutions to specific jams, I’ve been using bus traffic fever to skip straight to the right walkthrough.

Like

丽 赵
Nov 04

I appreciate the article’s thoughtful take on AI video tools—especially how it highlights usability trade-offs. That nuance made me curious to try Tiny Desk AI for quick, studio-quality clips without heavy editing.

Like

xin wang
Oct 30

Loved this! The fact that one NYC fan came 8 times really shows how unique the daily-changing setlist approach was. Just wanted to say-shoutout to the free protractor tool for letting me measure angles in browser pics when I need quick sketches. Hope you keep rocking both West End stages!

Like

I found this article on Viram Chinh helpful because it explains the importance of punctuation marks in Hindi grammar. Simple explanations and practical examples make it easier for students to understand where to use different marks while writing sentences.

Like
bottom of page